https://teca.unibo.it/issue/feed TECA 2022-07-28T00:00:00+02:00 Paolo Tinti teca@unibo.it Open Journal Systems <p><strong>TECA – ISSN 2240-3604</strong> is an open access scholarly journal dedicated to book and library disciplines, as well as to the history of writing, of the book, of reading and of libraries; furthermore, it is also focused on the history of typography and publishing.</p> https://teca.unibo.it/article/view/14363 Corrigendum: Dante all’asta nel Novecento. Carlo Alberto Chiesa e un incunabolo ritrovato (e riperduto) della Commedia dantesca del 1487 2022-02-04T16:28:31+01:00 Federica Fabbri federica.fabbri38@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Federica Fabbri https://teca.unibo.it/article/view/15226 Archives, Libraries and the Making of the Past 2022-07-17T15:17:17+02:00 Benito Rial Costas brial@ucm.es 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Benito Rial Costas https://teca.unibo.it/article/view/15227 Argan at Einaudi. A Horizon of Research Between Art and Publishing 2022-07-17T15:27:18+02:00 Sandra Costa sandra.costa@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Sandra Costa https://teca.unibo.it/article/view/14906 From the Library to the Classroom. Two Lessons on the Birth of a Project for the Rare Book Collection Held by the Collegio di Spagna in Bologna 2022-05-18T11:32:56+02:00 Danila Giaquinta danila.giaquinta2@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Danila Giaquinta https://teca.unibo.it/article/view/14525 «Teaching the history of art: my primary responsibility». In Memory of Lilian Armstrong (1936–2021) 2022-03-07T14:20:02+01:00 Federica Fabbri federica.fabbri38@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Federica Fabbri https://teca.unibo.it/article/view/15281 “We palatines will be there too.” For Sabina Magrini (1969-2022), director of the Palatine Library of Parma 2022-07-21T22:20:53+02:00 Grazia Maria De Rubeis graziamaria.derubeis@cultura.gov.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Grazia Maria De Rubeis https://teca.unibo.it/article/view/14996 Anthony Grafton, ‘Inky Fingers. The Making of Books in Early Modern Europe’, Cambridge (Massachussets), Belknap Press (Harvard University Press), 2020 2022-06-02T21:39:27+02:00 Daria Parenti daria.parenti97@gmail.com 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Daria Parenti https://teca.unibo.it/article/view/13961 Ester Camilla Peric, ‘Vendere libri a Padova nel 1480: il «Quaderneto» di Antonio Moretto’, saggio introduttivo di Neil Harris, Udine, Forum, 2020 2021-12-07T15:18:08+01:00 Anna Giulia Cavagna agcavagna@libero.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Anna Giulia Cavagna https://teca.unibo.it/article/view/14522 Claudio Passera, ‘«In questo picolo libretto». Descrizioni di feste e spettacoli per le nozze dei signori italiani del Rinascimento’, Firenze, Firenze University Press, 2020 2022-03-07T14:09:21+01:00 Federica Fabbri federica.fabbri38@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Federica Fabbri https://teca.unibo.it/article/view/15301 Luciana Agostinelli, Romina e Rossella Bevilacqua, Giuseppina Boian Tombari, ‘Scripta manebunt. L’arte della stampa a Fano. Parte prima: il libro antico. Dal Cinquecento ai primi decenni dell’Ottocento’, Fano, Associazione Università dei saperi Giulio Grimaldi, 2021 2022-07-27T11:25:24+02:00 Chiara Reatti chiara.reatti2@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Chiara Reatti https://teca.unibo.it/article/view/15284 Gianluca Simeoni, ‘Storia editoriale di una vita. Bibliografia delle edizioni dell’Histoire de ma vie di Giacomo Casanova: 1822-2019', presentazione di Furio Luccichenti, prefazione di Antonio Trampus, Verona, Oltrepagina, 2021 2022-07-22T14:11:52+02:00 Paolo Tinti paolo.tinti@unibo.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Paolo Tinti https://teca.unibo.it/article/view/15229 ‘La carta veloce. Figure, temi e politiche del giornalismo italiano dell’Ottocento’, a cura di Morena Corradi e Silvia Valisa, Milano, FrancoAngeli, 2021 2022-07-17T16:09:33+02:00 Sara Mori saratrek79@gmail.com 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Sara Mori https://teca.unibo.it/article/view/15162 Carla Ida Salviati, ‘Nuove edizioni romane. Libri che continuano a fare storia’. Con un’intervista a Gabriella Armando. Introduzione di Lorenzo Cantatore, Firenze-Milano, Giunti, 2021 2022-07-11T10:18:18+02:00 Anna Giulia Cavagna agcavagna@libero.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Anna Giulia Cavagna https://teca.unibo.it/article/view/14742 Carla Ida Salviati, ‘Nuovi autori italiani per ragazzi: con esperienze di laboratorio in biblioteca’, Milano, Editrice Bibliografica, 2021 2022-04-13T22:16:38+02:00 Anna Giulia Cavagna agcavagna@libero.it 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Anna Giulia Cavagna https://teca.unibo.it/article/view/14526 Students as Publishers. On the Production of Course Handouts in Paris (about 1950-1970) 2022-03-07T14:38:30+01:00 Françoise Waquet francoise.waquet@wanadoo.fr <p>The course handouts were an important resource for Parisian students, particularly in law, linked to the very conditions of schooling. While the products delivered by commercial houses were expensive, students and student associations published them. This article focuses on several of these initiatives, that took place in the 1950s and 1970s, at the Faculty of Law , the Faculty of Letters, the Institute of Political Studies, and it studies their organization, achievements, difficulties and setbacks.</p> 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Françoise Waquet https://teca.unibo.it/article/view/14345 Online Bibliographical Tools for the Antiquarian Book Trade. Their History, Use and Impact 2022-02-01T14:46:39+01:00 Fabrizio Govi info@libreriagovi.com <p>The present article examines the most important commercial database and metasearch websites used in the antiquarian book trade by dealers, customers, scholars, and institutions. Storing and listing data on millions of books (sold or still on offer), these specialized websites help create a truly international market by enabling specialists to search for titles and copies that would otherwise be untraceable and or too far dispersed. The purpose of the present article is to describe when the most important commercial databases in the antiquarian book trade were founded, how they work, and the frequency and purposes of their use. It is the first thorough and independent analysis of this field ever undertaken.</p> 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Fabrizio Govi https://teca.unibo.it/article/view/15223 Books at the Stake: a Case of Book Censorship in Verona in 1494. Frà Domenico de Carpanis and the Controversy over the Immaculate Conception 2022-07-17T13:47:58+02:00 Daniela Fattori daniela_fattori@libero.it <p>On May 28, 1494 the Venetian Senate ordered the destruction by fire of all copies of a printed pamphlet containing a defamatory 'frotula' against the Dominican Order written by the Neapolitan friar Domenico de Carpanis, who was previously a Dominican himself but later joined the Franciscan Order. De Carpanis was also author of the <em>Sermoni della concezione della Beata Vergine Maria</em>, written against the so called 'maculists', those who - like the Dominican Vincenzo Bandello - refused the thesis of the 'Immaculate Conception' of Mary. The analysis of this vernacular sermon provides details about De Carpani's biography and also clues regarding the place and date of printing of his Aristotelian text <em>De nutrienda memoria</em>, that was believed to be a Neapolitan edition of 1476 and instead could only have been printed in Veneto (Verona or Venice) and not before 1489.</p> 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Daniela Fattori https://teca.unibo.it/article/view/15225 Books for Italian Schools Abroad (1890-1943). Editorial and Bibliographic Profiles 2022-07-17T14:31:16+02:00 Lorenzo Luatti lorenzo.luatti@oxfam.it <p>The essay reconstructs the entire <em>corpus</em> of books for abroad Italian schools, both primary and secondary. The textbooks were designed, edited and printed, on state (primary schools) or private (secondary schools) impulse, during a period of over half a century of Italian history (1890-1943). This period marks the birth and end of this editorial experience. The typographical and editorial aspects of this book production are studied with particular attention to the fascist texts, in their various editions and re-impressions and material and editorial quality. The essay even reports the changes introduced from time to time in this sort of books, the printers, the circulation and the economic effort both with respect to the individual texts (when known) and as a whole, the fees recognized to publishers, authors and illustrators. The study is based on direct consultation of primary printed sources, contemporary secondary sources, archival sources and specific scientific literature.</p> 2022-07-28T00:00:00+02:00 Copyright (c) 2022 Lorenzo Luatti