TECA https://teca.unibo.it/ <p><strong>TECA – ISSN 2240-3604</strong> is an open access scholarly journal dedicated to book and library disciplines, as well as to the history of writing, of the book, of reading and of libraries; furthermore, it is also focused on the history of typography and publishing.</p> Dipartimento di Filologia Classica e Italianistica – Alma Mater Studiorum – Università di Bologna en-US TECA 2282-1007 Editorial https://teca.unibo.it/article/view/11674 Paolo Tinti Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 5 6 10.6092/issn.2240-3604/11674 Foreword https://teca.unibo.it/article/view/11675 Sandra Costa Gino Ruozzi Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 9 14 10.6092/issn.2240-3604/11675 Archives between History, Philology, Literature and Art https://teca.unibo.it/article/view/11676 Valentina Zimarino Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 17 19 10.6092/issn.2240-3604/11676 The ‘Collectanea’ by Pellegrino Prisciani. A Documentary Collection between Tradition and Modernity https://teca.unibo.it/article/view/11677 <p>Within the rich manuscript production of Pellegrino Prisciani, the Collectanea are one of the most complex and elusive works in terms of gender, models, forms and functions. The study therefore intends to investigate their possible points of contact, but also of break, compared to the tradition of medieval chartularies.</p> Maddalena Modesti Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 20 35 10.6092/issn.2240-3604/11677 Dialogues between Scholars. Philology in Fracassetti Correspondence https://teca.unibo.it/article/view/11678 <p>In the general revival of Petrarch’s work during XIX century, Giuseppe Fracassetti stands out from all contemporary scholars for his translations of the Latin Letters of Petrarch. His large correspondence testifies a rich activity of translation. This paper presents this correspondence, preserved in the Fondo Fracassetti of the Library Spezioli in Fermo: some letters published here, in particular with the commentary to Familiari and Senili, witness the birth of a ‘modern’ philological method.</p> Francesca Florimbii Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 36 48 10.6092/issn.2240-3604/11678 Archival Investigations. Fracassetti and Valentinelli about Petrarch https://teca.unibo.it/article/view/11679 <p>This essay will deepen the figure of Giuseppe Fracassetti (1802–1883), a lawyer, historian and scholar from Fermo who published and translated Latin Letters of Petrarch (and more), and his archive at the Biblioteca Spezioli in Fermo, through the study of unpublished correspondence with Giuseppe Valentinelli, who was prefect of Biblioteca Marciana in Venezia and his precious interlocutor in the studies of Petrarch manuscripts.</p> Valentina Zimarino Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 49 60 10.6092/issn.2240-3604/11679 Stories of Patriots and Literary Scholars among the Items of a Piedmontese Archive. The Derossi di Santa Rosa Family: Research in Progress https://teca.unibo.it/article/view/11680 <p>Santa Rosa’s Archive is an extraordinary private noble archive, which preserves the documents produced over four centuries by a family that actively participated in public life and who lived through the most significant stages of the profound transformation of Piedmont from the Savoy state into the Kingdom of Italy.</p> Chiara Tavella Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 61 70 10.6092/issn.2240-3604/11680 Documenting Contemporaneity. The Historical Archive of the Institute for the History of the Risorgimento https://teca.unibo.it/article/view/11681 <p>The Institute for the history of the Risorgimento was born in the late Nineteenth century with the idea of building a museum of «Contemporary History». This collection was subsequently enriched during the First World War. The historical archive of the Institute allows us to re-read the way the Risorgimento was understood after the Second World War.</p> Marco Pizzo Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 71 86 10.6092/issn.2240-3604/11681 The Archiepiscopal General Archive of Bologna and the Manuscript Fragments of Mons. Luigi Breventani https://teca.unibo.it/article/view/11682 <p>Luigi Breventani was the director of the Archiepiscopal Archives of Bologna between XIX and XX century. His personal archive includes fragments of medieval manuscripts, a collection that can be considered a reflection of his interest on manuscript sources. This article wants to analyze the relationship between Breventani’s palaeographic interest and his unpublished group of fragments</p> Roberta Napoletano Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 87 99 10.6092/issn.2240-3604/11682 Loss and Reconstruction of an Archive. The Ettore Cozzani Case https://teca.unibo.it/article/view/11683 <p>This essay aims to reconstruct the history of Ettore Cozzani’s archive, which was believed to have been totally destroyed during the Second World War. It maps what remains, however, in the Lombard Academy of Sciences and Letters and on the antique market. Finally, it reflects on the meaning that Cozzani attributed to his archive and on his attempts to reconstruct it, both materially and through autobiographical writing.</p> Chiara Tognarelli Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 100 112 10.6092/issn.2240-3604/11683 A Militant ‘Building Site’. Enrico Crispolti and his Archive https://teca.unibo.it/article/view/11684 <p>The paper is about the archive of Enrico Crispolti (Roma 1933-2018), art critic and contemporary art historian, and about his militant idea of ‘dynamic’ archive and the methodological consequences: the researcher witch study contemporary art often is the ‘inventor’ of future archival source.</p> Luca Pietro Nicoletti Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 113 124 10.6092/issn.2240-3604/11684 First Comments on Emilio Pasquini’s Papers https://teca.unibo.it/article/view/11685 <p>The essay is divided into three parts: in the first it offers an overview of the most recent studies dedicated to archives in person, in the disciplinary field of Italianistics and in that of Archivistics; in the second it outlines a biographical profile of the subject producing the archive; in the last one some observations on the archive are made.</p> Armando Antonelli Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 125 134 10.6092/issn.2240-3604/11685 Archives and Anarchives. Systems of Knowledge Organization between Closed and Open Forms https://teca.unibo.it/article/view/11686 Lara De Lena Michela Tessari Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 137 141 10.6092/issn.2240-3604/11686 Bartolomeo Passerotti (1529-1592) and Books https://teca.unibo.it/article/view/11687 <p>The contribution consists of two parts. Starting from the provenance evidence, the first part studies the history of two volumes, which belonged to the painter Bartolomeo Passerotti, from the Sixteenth to the Nineteenth century; the second part examines the traces (hatchings, recall signs and notes) that Bartolomeo Passerotti left on his books in order to understand how he used them for his profession as a painter.</p> Angela Ghirardi Maria Pia Torricelli Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 142 157 10.6092/issn.2240-3604/11687 Knowing is Remembering, that is: If Donkeys Fly https://teca.unibo.it/article/view/11688 <p>The aim of the paper is to demonstrate, in the specific field of the sixteenth-century Italian art history, how the loss of historical memory (in this case the non-obvious visual sources available) has impoverished and greatly altered the perception of the personalities and works of artists like Savoldo or Ludovico Carracci (or Raffaello).</p> Giovanna Perini Folesani Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 158 167 10.6092/issn.2240-3604/11688 The Vertigo of the Archive. Johann Wolfgang von Goethe and his House on the Frauenplan in Weimar https://teca.unibo.it/article/view/11689 <p>Goethe’s house at the Frauenplan in Weimar was not only the poet’s private residence, but also an archival space for his artistic and scientific collections as well as for his manuscripts. In these rooms Goethe developed his project of a dynamic archive that would create an infinite in continuous movement throughout the relations and constellations of a finite number of objects.</p> Francesca Fabbri Copyright (c) 2020 Francesca Fabbri https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 168 178 10.6092/issn.2240-3604/11689 Pietro Giordani, the «Viola» and the Frescoes by Innocenzo da Imola. News from the Archives (1811-1812) https://teca.unibo.it/article/view/11690 <p>In the «Viola» building, frescoes by Innocenzo Francucci from Imola were discovered in 1797. The discovery arouses the interest of Pietro Giordani who will dedicate three important speeches to Innocenzo. The text is accompanied by some documents on the advisability of preserving the frescoes and on the academic meeting of 1812.</p> Maria Luigia Pagliani Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 179 191 10.6092/issn.2240-3604/11690 Supino and Rubbiani: True and False Middle Ages. For a Memory Witness of Civilization https://teca.unibo.it/article/view/11691 <p>During the nineteenth century, the Middle Ages were chosen by the Romantic western imagination as an occasion for cultural reflection, identity, a functional moment to the development of the arts. Both Igino Benvenuto Supino as investigator in the documents of the history of the city, and Alfonso Rubbiani as a dreamer, creator of a Middle Ages more evocative than true, turned to these centuries.</p> Marinella Pigozzi Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 192 206 10.6092/issn.2240-3604/11691 Wooden Ceilings in the Italian Antiques Market between the 19th and 20th Centuries. Paradigmatic Cases from the Eredità Bardini Historical Archive https://teca.unibo.it/article/view/11692 <p>This paper throws a light on a first investigation of the wooden ceiling market in relation to Stefano Bardini’s antiques business, starting from a partial examination of the Archivio Storico Eredità Bardini in Florence and from the analysis of some paradigmatic cases that occurred during the Eighties and Nineties of the 19th century.</p> Lorenzo Orsini Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 207 216 10.6092/issn.2240-3604/11692 The Archive of a 19th-Century Self-Made Man. Santo Varni Sculptor, Collector and 'Connoisseur' https://teca.unibo.it/article/view/11694 <p>Following the discovery of a fundamental part of his archives, it is now possible to review the eclectic figure of Santo Varni (1807-1885). Known as a skilled sculptor, Santo Varni was also a collector, connoisseur, advisor, merchant, superintendent, and «restorer». His ingenious and multifaceted personality is documented starting from the archival papers he preserved and catalogued.</p> Raffaella Fontanarossa Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 217 230 10.6092/issn.2240-3604/11694 Pasquale Nerino Ferri and Igino Benvenuto Supino at the Florentine Galleries. Photographic Documentation between Archives, Museum Management and Historical-Artistic Studies https://teca.unibo.it/article/view/11695 <p>This paper explores the research methodology adopted by Pasquale Nerino Ferri and Igino Benvenuto Supino, art historians and Florentine Superintendence officials in the last quarter of the Nineteenth century. A specific focus will be devoted to the use of photographic reproductions of works of art in the museum management and administration, and for historical-artistic studies.</p> Giulia Calanna Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 231 247 10.6092/issn.2240-3604/11695 One Story, Many Stories. The Galleria Milano in the Sixties and the Seventies through its Archive https://teca.unibo.it/article/view/11696 <p>Galleria Milano, run by Carla Pellegrini from 1965 to 2019, presented the most relevant facts of international contemporary art to the Italian public, with a marked research attitude, especially between the Sixties and Seventies: the paper aims to retrace this story through its vast Archive.</p> Bianca Trevisan Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 248 262 10.6092/issn.2240-3604/11696 AFF Architekten. Collecting Life Artifacts in Creative Archives https://teca.unibo.it/article/view/11697 <p>The essay deals with AFF Architekten’s archive of photographs and objects consisting of mnemonic images capable of activating a design process. From their own archive, the AFF find pieces that can be introduced into the creative circle of architecture, according to a logical and functional recycling operation.</p> Anna Rosellini Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 263 275 10.6092/issn.2240-3604/11697 Lia and Dan Perjovschi. The Archive as a Relationship https://teca.unibo.it/article/view/11698 <p>The entire research by Lia Perjovschi, often shared with her husband Dan, focuses on recent Romanian history. Until 1989, Romanians have been forced to live in asphyxial conditions, with censorship on all international information and knowledge regarding the awful actual state of their country.</p> Federica Boragina Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 276 287 10.6092/issn.2240-3604/11698 The Evolving Archive. The Musée de l’OHM by Chiara Pergola https://teca.unibo.it/article/view/11699 <p>Between public and domestic dimensions, OHM is a commode in the Museo Civico Medievale of Bologna and it is a public place dedicated to intimate conversation in new contemporary art spaces. Chiara Pergola created it in 2009 and chose its singular name because of its assonance with the Ethnographic Museum of Paris (L’Homme).</p> Lara De Lena Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 288 303 10.6092/issn.2240-3604/11699 ‘Mal d'archive | Mal du musée’. Collections and Vertigos https://teca.unibo.it/article/view/11700 <p>The article is about Derrida’s mal d’archive [archive fever] related to Blanchot’s mal du musée, and suggests a possible treatment of these two ‘maladies’ through museum practices leaning on the idea of ‘collection’ in order to bridge the gap between museum and public.</p> Chiara Tartarini Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 304 316 10.6092/issn.2240-3604/11700 Archives in Dialogue with New Technologies https://teca.unibo.it/article/view/11701 Irene Di Pietro Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 319 322 10.6092/issn.2240-3604/11701 The Archive without Walls. The Case of the Decorative Arts https://teca.unibo.it/article/view/11702 <p>This paper will focus on decorative arts and issues associated with their research. The discussion will move beyond studies at the crossroads of different disciplines. It will consider the «web revolution» and the way new paradigms and data sharing strategies may foster new digital art histories of collaborative nature.</p> Paola Cordera Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 323 332 10.6092/issn.2240-3604/11702 Splendors of a ‘Minor’ Court. A Database Project for the Gonzaga Archive in Novellara https://teca.unibo.it/article/view/11703 <p>The article discusses the key role of the Court Archives in approaching cultural and artistic heritage in Early Modern Europe through the example of a minor branch of the Gonzaga House. The documents, still preserved in the Archive of Novellara and digitalized with particular attention to the artists and their network, to the works of art and their market, clearly show the importance of this family for the history of patronage and collecting in Northern Italy.</p> Federica Veratelli Jasmine Habcy Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 333 346 10.6092/issn.2240-3604/11703 From Archives to Virtual Restoration. The ‘Tracce in Luce’ Project for the Rocca in Vignola https://teca.unibo.it/article/view/11704 <p>A project of reconstruction and investigation about the external decorations of Rocca di Vignola has been made possible by the archival research, a three-dimensional survey campaign and the realization of architectural video projections, creating a synergic dialogue between methodological research and digital technologies.</p> Irene Di Pietro Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 347 360 10.6092/issn.2240-3604/11704 The Palazzo Pubblico in Bologna. Sources for a Government Residence, and its Art and History Museum https://teca.unibo.it/article/view/11705 <p>Civic government headquarters and museum; more than a building, ‘place’, subject of historical research in a variety of fields. The idea of a virtual archive of documents, images and communicative solutions is exposed, aiming at a global understanding of the historically fragmented sedimentation and the articulated complexity of its parts.</p> Carla Bernardini Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 361 376 10.6092/issn.2240-3604/11705 MuMe - Museo della Memoria di San Miniato. A Digital Archive of Citizens at the Service of Collective Memory https://teca.unibo.it/article/view/11706 <p>Historically, artistic practices have been measured through experiments aimed at the involvement and active participation of the public, as well as the themes of memory have been at the center of the most recent museological and museographic debate.<br>The experience of MuMe of San Miniato highlights how the creation of an inclusive archive of the «collective memory» can stimulate the engagement of the community to the protection and enhancement of its cultural heritage.</p> Anna Lisa Carpi Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 377 390 10.6092/issn.2240-3604/11706 The Language of the Archive. From History to Storytelling https://teca.unibo.it/article/view/11707 <p>This paper highlights the active function of archives. The latter often understood as the sole place of conservation, are instead the starting point for the construction of a language capable of narrating and enhancing not only the content, but also the owner institution. Through some examples, the present paper will highlight how each storytelling activity passes through a well-organized archive capable of becoming language.</p> Fabio Massaccesi Copyright (c) 2020 Fabio Massaccesi https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 391 409 10.6092/issn.2240-3604/11707 Performing the Archive, Animating the Database. The Basmati Film’s Experience https://teca.unibo.it/article/view/11708 <p>The contribution examines the artistic activity of Basmati Film (Audrey Coïaniz and Saul Saguatti) in order to identify the function performed by the database in their operative practice and the ways of approaching the archive defined within their poetics, devoted to contamination and multimedia.</p> Pasquale Fameli Copyright (c) 2020 TECA https://creativecommons.org/licenses/by/4.0 2020-12-21 2020-12-21 10 1ns 410 420 10.6092/issn.2240-3604/11708