Knowing is Remembering, that is: If Donkeys Fly

Authors

  • Giovanna Perini Folesani Università of Urbino

DOI:

https://doi.org/10.6092/issn.2240-3604/11688

Keywords:

Memory, Intertextuality, Giovan Girolamo Savoldo, Ludovico Carracci, Byzantine icons

Abstract

The aim of the paper is to demonstrate, in the specific field of the sixteenth-century Italian art history, how the loss of historical memory (in this case the non-obvious visual sources available) has impoverished and greatly altered the perception of the personalities and works of artists like Savoldo or Ludovico Carracci (or Raffaello).

Published

2020-12-21